Cannonball Read IV

A bunch of Pajibans reading and reviewing and honoring AlabamaPink.

Archive for the tag “Lauren Oliver”

narfna’s #CBR4 Review #54: Pandemonium by Lauren Oliver

It’s been a couple of months since I’ve read this book, but apparently I still have some things to say. This is going to be long, and I have strong feelings about it, so I apologize in advance on both counts.

First of all, I hate that cover. Hate it hate it hate it. What is it with publishers and putting these nondescript shiny-lipped teenage girls on the cover and then calling it a day? And what the fuck is going on with that flower over that girl’s ear? What, is she like, sticking her head out of flower bush or something? HI, MY NAME IS LENA AND I’LL JUST BE SQUATTING IN THIS BUSH WHILE YOU READ ABOUT ME IN THIS HERE BOOK. DON’T MIND ME. MY SKIN IS GLOWING LIKE AN ALIEN AND I’M NOT BEING CREEPY AT ALL. It’s completely awful in every way and not even relevant to the story or theme of the novel. Fail, YA publishers, FAIL. PLEASE STOP DOING THIS.

The surprising news? I liked the book. I liked it much, much, much, much better than it’s predecessor. Delirium was such a conflicting and frustrating read for me, but nearly everything I had an issue with in Delirium was either answered directly or significantly reduced in Pandemonium. I went into the novel ready to give it a fair shake, even though in the back of my mind I had essentially written the series off, and I was completely surprised at how much I enjoyed it.

Pandemonium picks up about six months after Lena’s flight into the Wilds. She has found an ersatz family in her fellow rebels, and has become firmly entrenched in the rebellion. During flashbacks which run through almost the whole book, we watch as Lena transforms from a scared newbie to a battle and loss-hardened rebel. She ends up in New York where, posing as a student, she becomes involved in a kidnapping plot with the wealthy son of a fanatic who is famous for promoting The Cure, even for people too young to handle it. Even for his son, Julian, whom The Cure would most likely kill due to Julian’s previous operations to remove cancerous brain tumors.  The alternating structure of the book keeps it flowing at a lightning fast pace, and the effect is that as we watch Lena growing as a person, in terms of the narrative, she is simultaneously helping Julian to heal and grow as well. And of course they fall in love and have adventures, and there’s a conspiracy and people who live underground, and there were some other details as well, but I don’t remember them right now.

Here are some reasons why I liked Pandemonium so much more than Delirium:

Delirium Complaint #1: Too much flowery language, not enough story.

While Oliver’s style remains consistent from book to book (and thus consistently bothers me), the substance of Pandemonium as a story is dramatically different from Delirium. Because Pandemonium had an actual plot to concern itself with and there were actual things happening on the page, Oliver didn’t have to constantly resort to diving deep into Lena’s psyche, thus necessitating page after page after page of poetic metaphors that are cool at first but then quickly begin to grate once you realize that while it may be a pretty cool trick she’s pulling out of her writer’s handbag, it’s basically the only trick she has. Story is about substance, and metaphor does not constitute substance. In fact, metaphor (or simile) by itself often feels very shallow if it’s not attached to something real and concrete. Pandemonium had concrete shit happening all over the place; it had movement, and thus I was either so busy being caught up in the story that I didn’t notice her overly written poetic imagery as much, or she didn’t use as much of it as filler because she didn’t need to — she had a plot instead.

Delirium Complaint #2: Alex

I know I’m in the minority on this one, but look, I just don’t like Alex all that much as a character, and I was happy he wasn’t in this book. I was holding out hope that he had actually died, but I knew it was a fool’s hope, and not just because I’d been spoiled. It seems YA authors these days just can’t resist the siren lure of a love triangle, lo though it may lead them to their deaths. It’s not that I don’t like the idea of Alex, because I do, or that I think he’s a jerk or something, because I don’t — I just find him useless as a character in this book series. In Delirium, he was nothing but a perfect and deliberately sculpted man-candy for Lena to fall in love with. He was a cypher, a catalyst through which Lena’s change of character was enacted. He was not a character in his own right, and he was much too tragically perfect to read as a real character for me. He was designed to be the perfect lure to make Lena realize how fucked up her life really was, to get her out of Portland and into the Wilds, and he served that purpose admirably. The problem is that he didn’t really do anything for me beyond that purpose.

But Oliver did something really interesting in Pandemonium, which is that she essentially gave Lena Alex’s role. In Delirium, Alex was the rebel, but in book two it was Lena taking the lead, showing new enemy turned boy-toy, Julian, the light. This accomplished two things, both of which I felt were missing in Delirium: 1) It gave Lena a more active trajectory — instead of things happening to her, she makes things happen, and 2) It allowed Julian as the love interest du jour to actually develop some character depth outside of his relationship to Lena. Lena being the new Alex allows us to re-experience the journey through Julian’s eyes, to see how far Lena has come as a person, but more importantly, it finally allows us the chance to see how that change is actually effected internally. Giving Julian a journey like that instantly made him a more interesting, dynamic romantic lead than Alex was because he wasn’t just some perfect dude dropping in from the heavens to get the plot (and Lena’s heart) moving.

I liked Julian. I liked him a lot. I may even love him. I liked reading about his life as the son of someone so entrenched in that world. I liked seeing his assumptions crumble in front of him. I liked seeing him fall in love with Lena and grow as a person. Even if it does turn out to sort of be all orchestrated and even if the Lena/Julian romance is trope heavy as all get out (a couple of problems I had with this book, see below), it was enjoyably so.

Delirium Complaint #3: Predictability

Even though this book was much more enjoyable for me than its predecessor, the underlying problems of the main narrative are still there. And the biggest underlying problem with the story is its predictability. I don’t necessarily have issues with predictable stories as long as its clear they acknowledge they’re being predictable and not like they’re writing this sort of thing for the VERY. FIRST. TIME. EVER. But Oliver is approaching this world like it and all its moving parts is a totally original creation, and that still kind of grates on me. Like we’re supposed to be surprised that Lena falls for Julian, that the whole thing turns out to be orchestrated, that Lena’s mom turns out to be that guard lady, etc. And for that matter, like we’re supposed to be surprised by the whole conceit of the world, which is really just one variation among many, many YA dystopias. And again, this wouldn’t be a problem for me, except that everything about the world Oliver has created feels overly familiar except its central premise. Like you could almost substitute Oliver’s THING (The Cure) with the things from The Selection, Divergent, Everneath, etc. You have to have more than an original central conceit — the whole world has to be fleshed out, and it wouldn’t matter if tropes and predictable things were happening if the world was specific and felt real enough. Pandemonium is a lot better in this regard than Delirium was, but the problem is still there for me.

And on top of all that, Oliver decided it would be a good idea to add in a damn love triangle. It would have been incredibly brave of her to kill off Alex. I mean, can you imagine? That is probably the least predictable thing she could have done. As it is, this all feels like familiar territory, so why are we stomping all over it? I’ve been here before, didn’t really like the view the first time. Show me something new, not something that was done as soon as Twilight wrung it to pieces and then handed those pieces off to The Hunger Games (which is actually one of the better done love triangles because of the way it poses the choice between Gale and Peeta as Katniss choosing between different versions of herself, as opposed to OMG THIS IS TWU WUV). I seem to be in the minority in not really liking Alex here, and I KNOW I’m in the minority in wishing he was actually dead, but I want it to be clear that it’s because he was more of a function than an actual character for me. In contrast, Julian is INCREDIBLY likable precisely because he’s dreamy on top of actually being allowed to grow and change, and we’re also allowed actual glimpses into his psyche. We learn about him and learn to love him as Lena does, and also in contrast to Delirium, I can see exactly why Lena might fall for him. They’re kindred spirits.

Really, this book probably deserves more like 3.5 stars, mostly because of the ending and the predictability, but I was just so taken with my surprise enjoyment of the rest of it that I was clicking 4 stars over on Goodreads before I even knew it. For those of you who liked Delirium, you probably won’t like this one as much (you might even hate it), but for the rest of you, check this one out. If it could surprise me, it might surprise you, too.

Scootsa1000’s #CBR4 Review #22: Pandemonium by Lauren Oliver

Last year, I read and loved Lauren Oliver’s beautiful debut, Before I Fall.  At the same time, I also read and was pretty much indifferent to Oliver’s new creation, Delirium, the first in a trilogy about a new world where Love is considered a disease and all teens have a procedure to more or less become lobotomized, thus creating a society where nobody has any emotion and can easily be controlled.

As much as I was underwhelmed by Delirium, I will continue to stand by Lauren Oliver, because I know there is talent there, and I know we’ll see it again someday.  So I will continue to read her stuff and hope we see the dazzling writing soon.  And so, I picked up Pandemonium at the library, and was honestly expecting it to be worse than Delirium.

A brief overview: Lena (the heroine of Delirium) has successfully escaped Portland and is now in the Wilds, but without Alex, who she saw die before she made it over the wall.  She has been “adopted” by a new group out in the Wilds of New Hampshire and learns how to live and survive in the world.  She goes undercover in NYC, pretending to be a supporter of a group that encourages all youth to get the procedure, regardless of potential health problems.  The spokesman for the group is a young man named Julian, who is dying of a brain tumor, and knows that the procedure will probably kill him.  And yet, he still tells his supporters that he will have the procedure as soon as he is of age. And when he is kidnapped by a rogue organization, Lena follows him, and is captured herself.  The rest of the story is about Lena and Julian and what they learn from each other, etc.

The good news first:  I actually thought the new installment to the trilogy was better.  I liked that the chapters alternated between present and future…I think it made me have to concentrate a little bit and pay attention to the story (because, sometimes with the dystopian trilogies, I have a tendency to scan the boring parts).  Like in the first book, I liked the way Oliver described the cities in this strange future — both the orderly sections (above ground), and the strange and disorderly sections (like the city below the city).

And the bad news: Because I have actually read other books before, nothing in this story surprised me.  The two “twists” at the end were so completely obvious, I almost had to laugh. But then I try and remember that this is a YA book, and that I am not a YA…and that maybe if I were, I would have been surprised or shocked or excited or…anything really.

I’m guessing the third book will mostly be about Lena’s love life, her mother, and the resistance staging a potential uprising against the government.  I’ll read it, because one of these days Lauren Oliver is going to blow me away again.  I just hope its sooner than later.

You can read more of my reviews on my blog.

sevenstories’ #CBR4 Review #34: Delirium by Lauren Oliver

“They say that the cure for love will make me happy and safe forever. And I’ve always believed them. Until now. Now everything has changed. Now, I’d rather be infected with love for the tiniest sliver of a second than live a hundred years suffocated by a lie. There was a time when love was the most important thing in the world. People would go to the end of the earth to find it. They would tell lies for it. Even kill for it. Then, at last, they found the cure.”

Lena is 17 and eagerly counting down the days to her procedure, frightened of the disease that caused her mother to commit suicide when Lena was still a child. Oliver is adept at creating her world, she begins each chapter with a piece of documentation, an extract from the Safety, Health and Happiness Handbook or a poem from a banned collection. Oliver manages to write what is essentially a love story without making it sentimental and also managing to cover other bases and exploring family, friendship, loyalty, honesty and science amongst other themes. I didn’t fall for it, maybe I’ve just read too many dystopian YA novels, maybe because I did find Lena a little uninspiring or maybe because I found it rather dragged in the first half, but Oliver’s writing is undeniably beautiful. I will definitely be reading both the sequel to Delirium and her other novel, Before I Fall, as I think I would really enjoy her writing in a less saturated genre but it is a worthwhile addition to the dystopian society genre, and better than many that I have read.

The full review is on my blog.
First Line: ‘It has been sixty-four years since the president and the Consortium identified love as a disease, and forty-three since the scientists perfected a cure.’

Why I read it: I saw it in Oxfam Books and had heard it was a good entry into the post-apocalyptic YA canon.

Who I would recommend it to: Post-apocalyptic fans who enjoy solid world building. Fans of Divergent by Veronica Roth or Matched by Ally Condie

Pinky’s CBRIV Book#5: Before I Fall by Lauren Oliver

Even Stevens’s #CBR4 review #8: Pandemonium by Lauren Oliver

This feels like the hardest review I’ve ever had to write, and not because I loved or hated the book. Much the opposite, actually – I felt indifferent to it most of the time. There’s a line in 10 Things I Hate About You (shut up) where Bianca’s friend Chastity asks “I know you can be overwhelmed, and you can be underwhelmed, but can you ever just be whelmed?” That’s this book; it was whelming (incidentally, spell check doesn’t take issue with ‘whelming’ so I guess you can just be whelmed. NOT THE POINT. Can you tell I’m procrastinating this review?).

Anyways, this book picks up right after the events of the first book. I’ll stop here to say SPOILERS ahead. Lena (you guys, I actually had to look up the character’s name. I could not for the life of me remember it) has made it into the Wilds, but Alex is presumably dead and Lena’s life is essentially upside down. She is also in bad shape physically from the dangerous cross into the Wilds, but luckily (or conveniently) for her, a group/commune of people take her in and nurse her back to health. We flash back between present day, which is six months after Lena’s crossing into the Wilds, and to the time when she was taken in by Raven and the rest of the group.

I have a lot of thoughts, but I’m having trouble putting them into a coherent structure, so screw it, I’m just throwing them out there as they come. One, some of them have really stupid names. Apparently in the Wilds everyone picks their own name and leaves their old name behind with their old lives. Fine, but Raven, Tack, Blue? Blech. Also, speaking of Raven, she’s kind of a bitch. Not in the fun way where she’s delightful to read and you know she’s a bitch and you just want more. She’s the kind that makes you think “alright we GET IT you have opinions, now STFU. Why do people listen to you again??” Or maybe that was just what I thought.

I was pretty distracted by the flashback format, too. I think this was mainly so because the present was so much more interesting than the past. In the present, Lena gets tangled up in a kidnapping scheme and becomes one of the victims herself. She is trapped with Julian, the very nice and attractive young man, who also is the son of the biggest public supporter of the Deliria treatment and is supposed to be her sworn enemy. Gee, I wonder where this will go! Ahem, sarcasm aside, Oliver does manage to turn in some pretty good action scenes and Lena herself is not a bad character, if not a bit of a blank canvas. Still, the kidnapping plot at least held my attention where the flashbacks to the homestead which mainly involved, cooking, cleaning, walking, and Raven being a bitch, were alternately annoying and boring.

This all sounds pretty negative, and yet I tore through this book. I don’t know what it is, I truly cannot come up with a reason, but I had this book done in about a day. There’s some good action to be had, and there’s a pretty good setup for the last book (which, let’s be honest, I’m totally going to read), although anyone’s who has read any literature pretty much ever can see the ending/set up coming about a mile away. Probably more like ten miles. And yet.

I know Oliver can deliver a good story; her first novel Before I Fall remains one of my favorite books, ever. Perhaps that’s where my ambivalence comes from – if I had not read Before I Fall, I might have dismissed Delirium (and subsequently Pandemonium) as mediocre and not continued, but I desperately want this trilogy to be good because I know what she can do. But again, I digress. Bottom line is, this is better than much of the dystopian fiction out there right now (I’m looking at you, Ally Condie), but it isn’t the best. It’s a time filler, something that passes the time without challenging your brain, and sometimes that’s ok. But if you want to go read some great YA fiction, I’ll steer you toward her first book, Before I Fall.

DragonDreamsJen’s #CBR4 Review #25 Delirium by Lauren Oliver

The Hunger Games trilogy’s success has spawned a whole slew of dystopian society novels trying to grab a piece of this trendy readership pie.  I am far more critical of this phenomenon having lived through it already for both Harry Potter and Twilight.  Every time a writer creates something unique that catches on, writers and publishers alike seem to flood the market with similar offerings.

I found Delirium, by Lauren Oliver, on a table at Chapters with a buffet of other dystopian novels and a sign that read “If you loved Hunger Games… try these!” The photoshop montage cover that has become so affordable for publishers to produce (instead of the older tradition of hiring an illustrator) did little to make the book stand out from its companions, but the first part of the back jacket copy caught my attention.

“They say that the cure for LOVE will make me happy and safe forever.  And I’ve always believed them. Until now.”

Intrigued, I picked up the book and began to skim through the first chapter.  The first person narrative and writing style was gripping enough that I decided to add it to my basket.

Delirium is an easy read.  The writing style is simple yet highly descriptive.  The premise around which the novel is based, that love is a disease that must be cured and eradicated, is griping enough for most of us that it lures the reader on.  The awakening of a sense of individuality in the main characters, so threatening to any strictly governed society, is both poignant and captivating.  There were a few moments that felt a bit too overblown to me, too Romeo and Juliet or Edward and Bellaish… until I  remembered the emotional highs and lows of my own teen years.

Lauren Oliver does a great job of creating a rich and detailed background against which her story can take place.  Her limited range of characters are developed enough that you come to care about them as the tale unfolds.  The plot twists are clever and well planned.  As Delirium raced towards its conclusion, I found myself checking ahead to see how many pages were left with a touch of dread.  Sure enough, the ending felt abrupt and dissatisfying.  Like Matched, one of the other dystopian YA novels I’ve already reviewed, the story seemed to rely a bit too much on setting up the next book and leaving loose ends rather than creating a world and a tale that left the reader wanting more because of how well it was crafted.  The preview for Pandemonium, the next book in the trilogy (really? It’s a trilogy?) was OK… and I will probably pick it up if I see it on sale… but if this first paperback format is released to sell me two HARDCOVER books afterwards… I think I will pass.

Paperback format, 441 pages, published in 2011 by Harper

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