This review covers the “original” trilogy of The Mortal Instruments: City of Bones, City of Ashes, and City of Glass. More books have been written and the series is up to five now; I have no idea how long the author intends for the series to run at this point.
Look at those covers — aren’t they kind of hilarious? Anyway, being the dedicated Tumblr user that I am, I couldn’t help but notice the fervor over these, particularly with the movie adaptation currently filming and slated for release in spring 2013. Turns out, I’m way behind on this phenomenon, since City of Bones was first released in 2008. Anyway. Onto the actual review-y stuff.
Set in modern New York, the series concerns the re-education of “mundane” Clary Fray, who grew up much like you and I, blind to the supernatural worlds that exist intertwined with ours. That changes one evening at a nightclub when she witnesses a group of Shadowhunters engaged in a bit of demon-slaying. Shadowhunters are humans that are angel-blessed and have the ability (and responsibility) to fight demons and other forces of evil. Shadowhunters are born only from the established bloodline of known Shadowhunters, so when the supposedly-normal Clary is able to see what ordinary humans, called “mundanes,” cannot, the Shadowhunter group takes her back to their lair. Meanwhile, her mother is kidnapped, as it turns out, by demons, and Clary and her new companions, along with her other mundane friend Simon, learn Clary’s true heritage and begin a quest to rescue her mother.
This is basically the setup for the first three books in the series, which has everything you would expect from a supernatural YA series: the epic and passionate romance that appears delayed by insurmountable circumstances and kind of leads to a love triangle, except that you’re never quite convinced that there is really any competition; the showdown between good and evil, which in this case is led by a former Shadowhunter-turned-bad; appearances from vampires, warlocks, werewolves, and faeries — etc, etc. There is also a lot of meta humor and current pop culture references, which make the books fun now but will probably lead to them seeming really dated in another few years.
Overall, yes, these were really fun. I read all three over the course of a single weekend, and I can understand why teenagers (aka, the actual target market for YA) have gone rabid over them. I really enjoyed the world-building and fast paced plot, both of which kept me engaged and caused me to want to zip through these quickly. The romance was fun too, due to a legitimately surprising twist, which keeps them “apart” for a good 2/3 of the trilogy and makes for some deliciously conflicted sexual tension. The writing itself was kind of hokey and immature, and didn’t really achieve the same kind of character depth or development that, say, Collins does in The Hunger Games, or even that THG would-be competitors like Divergent (Roth) do. What the characters lack in depth, though, they make up for in sassy quips. Again, these lend themselves to fun, quick reads rather than truly thought-provoking YA, but I’m not really complaining. One of the things that the Cannonball has done for me is taken away a bit of my prejudice regarding “serious” books. If I’m trying to read at least 52 books in a year, I owe myself a few silly fun ones along the way! So that’s what I recommend to this audience. The Mortal Instruments make a great palate-cleanser as part of the Cannonball: you’ll probably enjoy them, even if they don’t “stay with you,” as they say. And if this kind of stuff is actually right up your alley, you’ve probably already read them, since like I said, I’m late to this game.